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During his visit of condolence to Ismet's funeral, Recep Ivedik feels sorry about Ismet's remaining family members due to his latest unfinished job contract which would cause hard financial situation for the family. Therefore, Recep decides to finish Ismet's last job by replacing himself as a bus driver and to transport group of athletes.
Although Recep and his accompanying friend Nurullah were expecting this could be a short trip, they learn that it is not because they have to transport young national athletes to sports organization in a foreign country. This becomes the beginning for them to have irreversible adventure.
When they are on the road, unfortunate things happen and crisis appears for the team. Recep, who believes only in victory, takes control of the situation and develops his own methods in order to make the team successful while he face with all funny events. With his own unique comedy, Recep Ivedik continues his adventure in this fifth story.
Recep Ivedik coaches the children football team in his neighborhood. For the training he uses the only free piece of land as football field on which he used to play football as a child. Recep notices sadly that this piece of land was sold to a businessman. So as not to loose this for the neighborhood and the children valuable piece of land he decides to re-buy it on his own. With his own methods he does not receive the money. The participation in a competition with a big price is the only solution of his problem. Recep Ivedik is an example of cinematic parasitism.
It is a product created solely to profit from as many people as possible by providing as little content as possible. Outliving the sympathy generated by its humble beginnings, the series has become stale, endlessly recycling the same subject matter of a (once) lovable crude protagonist against the elite intelligentsia of the country. A mixture of slapstick and juvenile scat humor, it accomplishes nothing in the realm of comedy. A crude, cheaply filmed waste of time which is a shame considering the brave and creative strides Turkish filmmaking has taken in recent years.
Technically embarrassing, this is one of those rare films which actually take an entire cinema industry backwards in progress.